Tuesday 29 November 2016

Which Films Have Influenced Me In Planning My Thriller?

I began to really taking note on camera angles and shots, to get a feel for what is effective in an opening, and what is not.
Keeping this in mind, I have chosen three films, with key openings, which I have then interpreted into my planning for my opening. Each of these films have similar elements to what is used in my opening.

My first influence is the musical 'Sunshine on Leith'. In the first scenes, it switches from a war zone, to the camera flying over Edinburgh where the film is set. My first scene is planning to use this idea, as I have arranged to use a drone over my school (where my opening is set), and use similar camera movements to establish my setting. Continuing this, I am also to add my title very early on in my opening, to also show reference to this cleverly made opening.
Image result for sunshine on leith


My second influence is the TV Show 'Dexter'. I am always gripped to this opening due to it's continuous use of extreme close ups, which I have tried to incorporate into my own opening. In my opening, we have used a similar theme to 'Dexter', as we have included coding references (which is seen in the TV Show).




Finally, my last influence is the film 'Napoleon Dynamite'. This is one of my favourite ever openings as I love the use of food and day to day objects to demonstrate the opening credits in a unique way. I love this concept which is why I have enticed a similar idea into my own opening. Instead, I am planning to use school related objects, such as highlighting staring names, another name appearing on a water bottle, and finally the coding unravelling the final actors name.



Thursday 24 November 2016

Film Classification Guidelines


The purpose of Film Classification- besides basic assessments of films, is to make sure that they don't contain any material judged as unsuitable for that age group. Their job is to classify and sort films into particular categories to provide an advanced warning of what targeted audiences should expect to see, in terms of themes for particular age groups. 
There are currently seven official classifications in which films are placed. This has altered over the last couple of decades to encompass the differing themes that are now accepted for cinema release. 


U- stands for Universal, meaning it is suitable for all aged viewers. 

Discrimination- Such language or behaviour is unlikely to see in these films. Drugs- Such references would only have clear educational motive/messages for young children to learn from.  
Imitable Behaviour- Possibly dangerous in which such behaviour should not copy, no focus on easily accessible weapons are used. 
Language- Only mild bad language used.
Nudity- Seen occasionally, with no depth in context.
Sex- Once again mild actions, such as kissing.
Threat- Scenes which could be discomforting would be mild and brief. The outcome should be encouraging.
Violence- Again, very mild. Such scenes would be unrealistic and comedic. 


PG- stands for Parental Guidance, meaning parents are advised to watch with children normally around and under 5 years.

Discrimination- Language and behaviour is not really acceptable unless disapproved, in order to support education or life lessons. Discrimination again character is unlikely to be acceptable. 

Drugs- References to illegal substances or misuse must be innocent or carry subtle messages. 
Imitable Behaviour- Little detail used for dangerous behaviour, to prevent children from copying. Unauthorised weapon use should not be seen; no focus on anti-social behaviour either. 
Language- Mild bad language only. Frequent use may result in film becoming passed into a higher category. 
Nudity- May be seen, without sexual context (innuendo's only). Sexual activity should be discreet if implied. 
Threat- Scenes of danger should not be enormous or prolonged.  
Violence- Will still be mild. To an extent violence can be seen, but without detail. Fantasy or comedic violence is typically seen here. 



12 and 12A- Suitable for 12 year olds and over.

Discrimination- Discriminatory language must not be supported in work overall, and aggressive language or behaviour should be seen as unacceptable unless clearly condemned.

Drugs- Drug misuse must be rare and not elevated.
Imitable Behaviour- Should not be positively promoted, to avoid children copying. realistic weapons such as knifes should not be glamorised, alongside with no anti-social behaviour.
Language- Moderate language may be seen, however strong language may be permitted, dependent on its context and character.
Nudity- Nudity is authorised, sexual context must be discreet.
Sex- Such activities may be portrayed. References are permitted, however frequent references are unlikely to be seen/authorised.
Threat- Potentially moderate physical/physiological threat scenes, although some could be seen as inappropriate, overall it should not be.
Violence- Will be seen, however not in complete detail. No highlights on injury or fatal damage, however it can be seen if justified. Sexual violence is only to be slightly indicated, yet again justified by context.


 15- Suitable for children aged 15 and over.


Discrimination- Should not be seen to endorse discriminatory language or behaviour, yet such themes such as: homophobia, racism or others are seen.

Drugs- Use of such substances may be seen, however must not be promoted. The misuse of highly frightening substances is not acceptable (e.g Solvents).
Imitable Behaviour- Hard-hitting activities (such as self harm) should not be covered in precise detail. Glorifying easily acceptable weapons will depend on the work's context.
Language- Highly strong language may be permitted, depending on the context and character.
Nudity- Limited constraints on nudity as a whole are seen. Possible nudity in sexual context, however without sufficient detail.
Sex- Such activities may be seen, but without strong details. Verbal references could be portrayed, however the strongest sort is unlikely to be seen unless justified appropriately.
Threat- Strong threat and horror are permitted, however a prolonged focus on sexual threat is unlikely.
Violence- May be strong, but should once again not be shown in detail. The strongest types are unlikely to be seen, yet verbal references to sexual violence must be discreet and then justified.




18- Suitable for adults only. 

Viewers younger than this age may not see, buy or rent such films. 

However exceptions are made for these works too:
1. When such works is within criminal law, or has been designed based on       commissions of a criminal offence.

2. Where works connote danger or risk to a person through behaviour. Such risk includes: detailed portrayal or violence, or illegal drug misuse which could potentially cause danger to viewers health or morality. Other portrayals of sexual violence, especially enjoyment of such activities should not be dwelled upon. 

3. Where explicit images of sex context are seen, where the complete purpose of such images (or videos) is to cause sexual arousal, which may be accessible to younger viewers. Such intervention may be frequent more than for cinema's.


Sex Education at 18:
Sex Works at 18:

Explicit images of sexual activity may be permitted for educational purposes. Such purposes include safer sex, health and morality.

Such works only purpose is to serve sexual stimulation. These works that contain sex material are passed for over 18 viewers, as strong: images of sex, explicit videos, or real sex situations will be confined to the R18 category. If the material is unacceptable at the R18 category, it will definitely be unacceptable for the 18 classification.


R18- Stands for Restricted 18. These are very uncommon so therefore are only shown in specially licensed cinema's, sex shops, and are obviously on for adults.
  
This category is a special classification for explicit work, which contains sex or strong adult material. Such films are only shown in specially licensed cinemas, and can only be purchased in specially licensed sex shops. 
R18 work is filtered from public searches, as they will have explicit or offensive tittles throughout. Such details will only appear if a computer or search engine has enabled 'enable adult content'. 

Thursday 10 November 2016

Art Of The Title

The Affair:

This TV Drama, created in 2014 has been a global phenomenon ever since the beginning episode. It's riveting plot lines and engaging themes have encapsulated it's audience ever since, leading the producers, editors and creators to then further fabricate 2 more seasons on top of the first.  

The very first title is of the productions company behind the production of 'The Affair'. This is the only company based title seen within the opening, as it jumps straight to the character opening, as seen on the left.


               


The first three titles are extremely dark, and are set vaguely under water, within the deep sea, as occasionally there are waves of water that show various ripples and repercussions. By opening the drama this way, it sets out to the audience the gloomy and mysterious atmosphere trying to be conveyed to it's viewers.



The credits suddenly jump to a clearer view of the sea, again keeping to the same underwater theme however, as there are still various points where waves cover the camera lense*. The audience is then taken on an experience of various settings and shots, each displaying a new theme and idea.
The first is a series of book pages turning, which then somehow leads onto a darker blue scene, in which an eye is shown in the background. By referring back to the darker tones as seen at the very forefront of the opening credits, audiences are then thrown back into the menacing twists of the opening, and reverted back to the thought of the media being a melancholy one, not up-lifting.

Along this same wavelength, a continuation of body parts is then seen in the following three credits. A hand is next seen flexing against supposedly another aspect of skin, quickly changing to a short dark scene of two bare bodies laying side by side.
Therefore this enhances the creators use of scene changes and colour correction, to promote to the audience clearly (but subtly) the themes expressed in the material following.


The audience then switches back to the sea and beach clips, to revert again back to the original theme which was being expressed at the very start of the sequence.

Viewers suddenly then get taken aback to potential characters, or memories, which makes a more personal connection between the viewers and the sequel itself, giving a more defined insight into the characters explored subtly in the Drama.

The title appears at the end of the opening sequence, on a completely blacked out screen, to emphasises the title, which is a contrasting white font. The effect would not be deemed the same if the classic beach clips were used, as the white would be drowned out by the light colour saturations. 

Monday 7 November 2016

Which Thriller's Are My Own Personal Favourites and Why?

I have chosen my top three favourite Thrillers and have depicted them to express why I am so passionate about them. I have also provided a brief synopsis of each film to assist my reasons into my passion. 

The Usual Suspects (1995)- 
The film explores the interrogation of Roger Kint, a small 'con man' (one of only two survivors of a ship disaster), he tells an interrogator his excuses that led him (and others) to the boat, and about a strange crime boss Keyser Söze who ordered their work, however Kint's story unravels into a tangled web of complexity. 
I love this film because of the use of flashbacks and narration that is used throughout which entices the audience to the fine details. 


Cape Fear (1991)-When lawyer Sam Bowden intentionally withholds evidence that would clearly violent criminal Max Cady of rape, Max spends 14 years in prison. Following Max's release, knowing about Sam's withdrawal, he devotes the remainder his life to stalking the Bowden family. When ordinary attempts to stop Max collapse, Sam realises that he must act outside the law to protect his family.
This is probably my most favoured Thriller because of its clever use of soundtrack and sound effect to create tension, especially where Max Cady is not in shot. Once sounds accompanies the shot, the audience already knows he will eventually show, leaving the audience forever agitated. 


Fight Club (1999)-   Edward Norton (a depressed man who suffers from insomnia) meets a queer soap salesman Tyler Durden. He soon begins living in his filth-infested house after his previous apartment is destroyed. The two characters create an underground club, where men fight one another due to their mundane lives. The partnership unravels when Marla (a fellow support group crasher) attracts Tyler's attention.

This is also one of my preferred thrillers as it challenges the status quo in a way that younger audience can relate and understand to (hence why it is so popular). Also the acting in this film is so strong, which also allows a clear evaluation for young audiences.